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Monday, November 23, 2015

Buddhist Stupa in Sri Lanka



Buddhist Art and Architecture in Sri Lanka
(Course code: - )


                               


Buddhist Stupa in Sri Lanka
(Assignment 01)
 




Lecturer:

Name:
Student Number:
1st semester
Date: 24th August 2014
University of


                                                                                                                                            

Contents

2.      Origin and development of Stupa in Sri Lanka……………………...…………….2

        I.            Chronicle evidences of existence Stupa, before arrival of Buddhism
     II.            The construction of first Stupa at  Anuradhapura
   III.            Development of Stupa with general concept of “Village and Temple, Lake and Pagoda” (è´×Ú ûùß&Ù×Ú <`<×Ú ÷À$ è`ý×Ú)
  IV.            The great Stupas in Sri Lanka
    V.            Notable and modern Stupas

3.      Erection of stupas with diverse structures……………………………………………
                             I.            Dhanyakara - Heap of paddy shape
                          II.            Ghantakara - Bell shape
                        III.            Bubbulakara - Bubble shape
                       IV.            Ghatakara - Pot shape
                         V.            Padmakara - Lotus shpae
                       VI.            Amlakara - Shape of Nelli fruit
                    VII.            Palandawakara - Shape of an onion
4.      Ancient technology associated with Stupa………………………………………
5.      Philosophical aspects of Stupas through symbolism……………………………………
6.      Critical views regarding the Buddhist Stupa in Sri Lanka…………………………….
7.      Personal views and suggestions regarding the Stupa concept……………………….12
8.      Conclusion. 14
9.      End Notes………………………………………….…………………..…….……….15
Introduction

"Eight vases of silver & eight (vases) of gold did he, with tireless zeal, place in midst, & in a circle around these he placed a thousand & eight new vases, & likewise (around each of these) a hundred & eight garments. Eight splendid bricks did he lay, each one apart by itself."  [1]
The pearl of Indian Ocean had gifted Buddhism by Arahant Mahinda during the time of king Devanampiyatissa (307-267 BC).  He brought a new religion to Sri Lanka with a whole civilization by starting a new chapter in Sri Lankan history. In addition, Buddhist Arts and architecture also introduced to Sri Lanka at the same time along with Sangharamas and Cetiyas. Therefore, Sri Lanka has a proud history with the Buddhist approach to the culture. It seems that Buddhist arts and crafts colored the thoughts of Buddhist people with its artistic value and heart quenched appearance.
Arahant Mahinda stayed at Mihintale, Anuradhapura during his Dhamma voyage. As well as Mahawansa mentions that “Thuparama”, the first stupa in Sri Lanka also built in Anuradhapura. The earliest reference to this effect comes from the second century B.C. when the Chronicle says that King Lanjitissa carried repairs to the Kantaka Cetiya. This is sufficient proof to suggest that this Stupa was built either during the reign of Devanampiyatissa in the 3rd century B.C. or somewhere close to that date by a king who succeeded immediately to the Sinhala throne. Therefore, Stupas can be identified as the earliest Buddhist architectural form in Sri Lanka. Through this assignment, my determination is to evince the origin and development of stupas in Sri Lanka with special reference to chronicles.

Origin and development of Stupa in Sri Lanka
The word “Stupa” (Sanskrit word) also known as “Chaithya” or “stupa” (from Sanskrit Dhatu-relic, Garbha-womb chamber) & sometimes named "Saya" (from Cetiya-funeral mound) or "Vehera" (from Vihara-monastery).

 In the “Mahaparinibbana Sutta” mentions regarding the concept of building Stupa.   
“Cattaro me ananda thuparaha| katame cattaro? tathagato arahaj samma-sambuddho thuparaho pacceka-buddho thuparaho tathagata-savako thuparaho raja cakkavatti thuparaho”  [2]      
Buddha mentioned regarding four persons that should build Stupa and venerate it. They are,
ü Buddha
ü Pacceka Buddha
ü Arahant
ü King Cakkavatti
With venerating the Buddha’s word, Buddhist construct the Stupa all over the world. Therefore, it appears with different names in many countries. They are,

ü Tibet and Bhutan - Chorten (the basis of offering)
ü Nepal – Chaithya
ü Indonesia – Candi
ü Thailand – Chedi
ü Cambodia – Chedey
ü Korea – Tap
ü Laos – That
ü China – Ta
ü Japan – Pagoda
ü Sri Lanka – Chathya Saeya , Wehera ,Dageba, Dhatu garbha
Chronicle evidences of existence Stupa, before arrival of Buddhism

There are recorded instances regarding the construction of stupas in Sri Lanka even in the lifetime of the Buddha. Those are declared as Girahadu Seya, Mahiyangana Stupa Kelaniya Stupa and Mutiynagana Vihara’s Stupa were existed, during the time of Buddha. Buddhist believes that the Buddha visited Sri Lanka and these Stupas were build. Historically as well as archeologically evidences existed regarding the Stupa were built before arrival of Buddhism to Sri Lanka. [3]  For example,
“Upon being asked by two Indian devotees Tapassu and Balluka (merchants by profession), what shape a memorial to him should take, the Buddha is said to have folded one of his robes into a square and placed his upturned begging bowl & umbrella on top it, thus outlining the basic shape of the pagoda. Upon the request of Tappasu & Bhalluka for an object for veneration, Buddha offered them Sacred Kesha Datu. The sacred Kesha Datu offered to Indians Tappasu & Ballauka were enshrined in “Girihadu seya” in Sri Lanka”. [4]  

The construction of first Stupa at Anuradhapura

By enshrining the Right Collar Bone of Lord Buddha, King Devanam Piya Tissa built the “Thuparama stupa” which is known as the first stupa in Sri Lanka. Initially it was in the figure of a mound of paddy but as repairs were done in later years, it took the form as seen today. It has a diameter of 59 feet 6 inches (18.14 m) at the base.  After that many Stupas has built in Sri Lanka. Currently in Sri Lanka numerals Stupas consists in different areas. [5]  


Development of Stupa with general concept of lake and Pagoda (<`<×Ú   ÷À$ è`ý×Ú)


Through Sri Lankan history, it indicate that the concept of “gamai Pansalai Wawai dagabai” deeply influent to the development of Stupa. Early people in Sri Lanka build the Stupa near of lake because its provide recourse to construct it.
There is a broader definition for Wewai, Dagabai, Gamai, Pansalai (Source of water, built-heritage defining our ways of the past, people as a community and the spiritual center). Life of the people was based on the tank or the reservoirs, the Dagaba, the temple and the village.
Therefore, most of Sri Lankan kings build Stupa and it’s become the part of their duties.
The great Stupas in Sri Lanka

Mirisavatiya, Ruvanweliya and Jetavanaya can be seen as the three great stupas of Anuradhapura. The three sides of the triangle in the ground layout of the three stupas, built between 161 B.C. These earth and celestial duplications and their advanced building techniques had intrigued researchers and archaeologists for generations but the present investigators are nowhere near to deciphering the secrets behind these mega structures. Yet recent discoveries in Sri Lanka have revealed that Ruwanweliseya of Anuradhapura could have been a giant energy storing device, which also could have exchanged energies with the skies above. [6]  
According to a multi-disciplinary investigation conducted by Architect ShereenAmendra, the structure of the Ruwanweliseya, known as the Mahastupa, its position and the material used for the construction were instrumental in creating a giant size capacitor which exchanged electric charges with the heavens above.
The great chronicles of Sri Lanka the choice of ground for the construction of Mahastupa had been done by Lord Buddha himself while the structural plan for the stupa had been done by the Arhants or the enlightened ones of the Mahavihara. The stupa, which enshrines a large amount of relics of Lord Buddha, had been constructed using precious metals like silver and gold and precious stones, known to be excellent electricity conductors. [7]  
In her book “Beyond the seeing eye, the Mahathupa of Lanka” Ms. Amendra questions whether the mahathupa was used to transform thoughts to electric power and transmit them to the celestials while receiving messages from them.
A device designed by enlightened arhants beyond the understanding of mere mortals, yet still transmitting the thoughts and aspirations of many devotes who gather around it in prayer.

Vatadage
Many smaller stupas were built within circular buildings. These were covered with a metal & timber roof resting on concentric rows of stone pillars. Today the roofs have disappeared, but examples such as the Polonnaruwa Vatadage & Medirigiriya Vatadage are still in existence.
It can be observed that after the 4th century, the building of colossal stupas has virtually ended. Thereafter smaller ones have been built using Thuparama in Anuradhapura as a model. This type came to be known as ‘vatadage’ or rotunda. It is a circular relic house and apart from Thuparama and Lankarama in Anuradhapura, the best example is seen in Polonnaruwa.
There are two other beautiful ones at Medirigiriya close to Polonnaruwa and Tiriyaya off the Anuradhapura-Trincomalee road. These circular shrines enclosed stupas of smaller size and had wooden pillars right round. Later they were replaced by carved stone pillars. The pillars are arranged in four to two concentric circles, diminishing in size outwards.
Notable and modern Stupas in Sri Lanka
ü Kiri Vehera, Kataragama
ü Kiri Vehera, Polonnaruwa

Erection of stupas with diverse structures
The construction of a stupa has a long procedure than other architectural monuments. The bricks were bonded together using a clay mixture, called butter clay or 'navanita mattika'. This was composed of finely crushed dolomite limestone mixed with sieved sand and clay. The stupa was thereafter covered with a coating of lime plaster. This was sometimes ten inches thick. There was a range of plaster, using different combinations of materials. The items used included some common materials like lime, clay, sand, pebbles and crushed seashells.
They even used some unusual materials such as sugar syrup, white of eggs, coconut water, plant resin, drying oil, glues and even the saliva of white ants. Some of these items are mentioned in the Mahavamsa. Small pebbles were used to make the fine plaster at Kiri Vehera. Crushed seashells mixed with lime and sand were used in the stupas of the fifth to twelfth centuries.
Expensive plasters were used sparingly, for specific purposes such as water proofing. The Mahavamsa speaks of lightning protection for the stupa. The conical metal cap and its 'vajra' at the top of the stupa were supposed to have earthing properties. The Mahavamsa also refers to laying a sheet of copper over the foundation and applying arsenic dissolved in sesame oil on this sheet. This is believed to have kept out white ants and helped prevent plant life growing inside the stupa.
Parts of a Stupa



A stupa usually has six parts.
  • Pesavalalu – Berms or terraces
A stupa consists of three such berms at its base. The three berms rising from the base gradually reduce in size.
  • Gharbaya – Hemispherical dome
The hemispherical dome is constructed on the three berms. In the middle of the stupa was built a relic chamber (Dhathu garbhaya). The Buddha's relics are enshrined there. In the Centre of the Relic Chamber was placed a bo-tree made of precious metals, and an image of the Buddha round which were groups of figures representing various events in the life of the Buddha.
  • Hatharas Kotuwa - Tee cube
Relics are enshrined in this part too.
  • Devatha Kotuwa - Cylindrical neck
This is built on the Hatharas Kotuwa. Figures of deities are carved on the surface.
  • Koth Kerella - Conical spire
This is built on the Devatha Kotuwa. A crystal (chudamanikya) on a pinnacle made of metal is placed at the top of the spire to adorn it.
  • Kotha – This is also called "silumina" in Sinhala. This is usually a pinnacle made of metal on top of which is a precious crystal or gemstone (chudamanikya).
v There are other constructions associated with the stupa.
This is a structure constructed joining the stupa at its four cardinal directions as a decorative flourish. Later these frontispieces came to be decorated or embellished with designs such as the creeper design. Stone slabs erected for the purpose of offering flower at the stupa too have been added to these frontispieces.
The Chetiyagara is a structure constructed as a protection chamber for the stupa. There is evidence to show that such chambers were erected to shelter the small stupas built during the early years. The roofs of these structures are believed to have been wooden.
Varieties of Stupa
Basically, a stupa has several salient features. Buddhist literature mentions six types of stupas differing according to the shape of the dome or body of a stupa. This is mentioned in "Vijayantha Potha".
They are,
  • Dhanyakara - Heap of paddy shape
  • Ghantakara - Bell shape
e.g.: Ambastala stupa at Mihintale
  • Bubbulakara - Bubble shape
e.g.: Ruwanweli Maha Seya at Anuradhapura, Rankoth Vehera & Kiri Vehera at Pollonnaruwa
  • Ghatakara - Pot shape
e.g.: Situlpavwa, Somawathiya, Kiri Vehera at Kataragama
  • Padmakara - Lotus shpae
e.g.: Vijayarama at Anuradhapura, Puliyankulama, Indikatu Seya at Mihintale
  • Amlakara - Shape of Nelli fruit
No records exist of the finding of this type of stupa in Sri Lanka.
Another type of stupa is mentioned in the book "Manju Sri Vasthu Vidya Shastra"
  • Palandawakara - Shape of an onion
e.g.: Nadigampala stupa [8]  

The construction of a stupa was considered an act of great merit. Stupas were built to enshrine relics. They were constructed according to strict specifications. Entrances to stupas were laid out so that their Centre lines pointed to the relic chambers. Initially, there was only one relic chamber, but a number of additional relic chambers were added when the stupas were rebuilt. The stupas are admired today for their perfection and stability. Engineers who examined Jetavanarama in the 1980s said that its shape was ideal for the materials used in construction. 
An ornamented vahalkada was added to the stupa around the second century. The four vahalkadas face the cardinal points. They are ornamented with figures of animals, flowers, swans and dwarfs. The pillars on either side of the vahalkada depict figures of lions, elephants, horses or bulls, depending on the direction of the structure.
Philosophical aspect of Stupas through Symbolism
The Stupa is a symbol of the universe. E.B.Havell defines that the three bars of the rail mean the three positions of the sun at it’s rising ,it’s zenith,and its setting and hence a spiritual definition for these were the three times of daily prayer. The dome symbolizes the sky. The Lotus connected with the stupa symbolizes the earth, the pinnacle is a symbol of wisdom. And the merugala in the Dhatugarbha is a symbol of the cosmos.
The Umbrella raised above the stupa is the symbol of religious sovereignty. Historical evidence and aspect to the up-lifting an umbrella above to the stupa is cited in the Mahaparinibbana sutta[9]  When Buddha demised , devas placed canopies and umbrellas above the bier.
The super structure above the solid cubical feature (hataras kotuva) consisted of a conical spire (kotkaralla) which represents the four noble truths and noble eight path. This interpretation presented by some scholars is impossible to find in the Pali canonical literature, but according to the Laita Vistaraya and Saddharmapundarika Sutra Dharmakaya, is one form of the Buddha’s three kayas and the stupa symbolizes the Dharmakaya concept in various parts of the stupa.
Ancient technology associated with Stupa
It is important to examine the technology applied in the construction of stupas comprising the features mentioned above. Examining the building of the foundation of a stupa to suit its size, one can get an idea of the application of the knowledge of science and geometry prevalent in ancient times. The Jetavana excavations conducted recently confirm that the construction of the platform or base on which a stupa stands has been very solid and strong. The skill shown by the craftsmen in maintaining the shape of the stupa reveals the advanced state of technology prevalent at the time. One wonders how the materials used in building Jetavanaramaya could have been carried to such a height. [10]  

Critical views regarding the Buddhist Stupa in Sri Lanka

With critical views the Stupa worship is discussed with deep Buddhist philosophy. The Buddha has introduce the stupa as replacement of worshiping stones and mountains. Therefore, some scholars argue that the worship stupa is much similar to venerate to the mountains.
The second points that they criticize is regarding the relics which belongs to the Buddha. Most of Sri Lankan monks mentioned that the relics which holding is Buddha’s relics.
The third points are is the bone of human can exists that much long periods.
With these kinds of views occurs in general knowledge but it should be clear that all the relics which exists present are not only of Buddha but also four kinds of person. And the venerating the Stupa dose not means to worship mountains but to the qualities of or nobility of Buddha.

Personal views and suggestions regarding the Stupa concept

Personally, I believe that the Sri Lankan Stupa was existed before the arrival of Buddhism. After the arrival of Buddhism the general concept of “Wawai dagabai gamai Pansalai” mostly effected to the general life of Sri Lankan as well as rulers of Sri Lanka. As a results of that numerous of Stupa can be seen in today. Currently, the constructing Stupa is considering as the great merits in their life. Therefore, most Buddhist devotees as well as monks construct the Stupa with faith.
Generally, someone can consider that building house is better than construct the Stupa but the people who has learned the Buddhist teachings well venerate the ideas of construct the Stupa.





Conclusion

To conclude, the concept of Stupa in Sri Lanka is bounded with to the Sri Lankan’s blood and soul. Although Stupa were consisted, before Buddhism was arrival by Arahant Mahinda but development and preservations of Stupa started with the upcoming of general concept of  “Waewaye dagabae gamaye Pansalaye”. With this concept not only Sri Lankan general people but also kings inspired to build the Stupa. It believes that Emperor Asoka has built 84000 Stupas. Likewise Buddhist kings in Sri Lanka constructed numerous Stupa for the sake of people.  Stupas are believed to enshrine,
ü The bodily relics (SŒr´rika dŒtu)
ü Objects associated with Buddha (PŒribogika dŒtu)
ü Relics sacred to Buddhism (Uddeshika dŒtu)
With considering the significance of symbolism of Stupa, Sri Lankan Buddhist people have constructed numerous of Stupa in different areas. Scholars has researched regarding the stupa’s constructing, symbolism, the artist’s knowledge of mathematic to build stupa shape.
Therefore, the Stupa in Sri Lanka gets an exceptional place in worldwide Buddhist’s heart. That is the one of reason they visit to Sri Lanka to appreciate the greatest arts work of Sri Lankan artists.




End Note


[1]    http://en.wikipedia.org/wiki/Mahavamsa : Accessed on September 06, 2014 at 08:15 pm
[2]    MahŒ ParinibbŒna Sutta, Mah Œ Vagga, D´gha NikŒya, Suttanta Pitaka, PTS p 72
[3]     http://en.wikipedia.org/wiki/Ancient_stupas_of_Sri_Lanka Accessed on September 06, 2014 at 08:30 pm
[4]     http://en.wikipedia.org/wiki/Ancient_stupas_of_Sri_Lanka Accessed on September 06, 2014 at 08:30 pm
[5]      http://en.wikipedia.org/wiki/Ancient_stupas_of_Sri_Lanka Accessed on September 06, 2014 at 08:30 pm 
 [6]      Professor T.G.Kulathunga (2004). "4". Lankave Stupaya (Stupa of Sri lanka) (in Sinhala) (first ed.). p. 66.

        [7]      Professor T.G.Kulathunga (2004). "4". Lankave Stupaya (Stupa of Sri lanka) (in Sinhala) (first ed.). p. 66
        [8]    Professor T.G.Kulathunga (2004). "4". Lankave Stupaya (Stupa of Sri lanka) (in Sinhala) (first ed.). p. 66

[9]     MahŒ ParinibbŒna Sutta, Mah Œ Vagga, D´gha NikŒya, Suttanta Pitaka, PTS p 72
[10]  Social Studies and History Grade 10, Sri Lanka. Educations Publications Department, Sri Lanka. 2006. p. 141.



Bibliography

Ø  Social Studies and History Grade 10, Sri Lanka. Educations Publications Department, Sri Lanka. 2006. p. 141.
Ø  Silva, R. 1990, "Bricks – A unit of construction in ancient Sri Lanka", ICTAD Journal, Vol.2, No. 1, pp. 21-42, Colombo.
Ø  Upali Salgado (29 June 2008). "Tales from the hills of Uva". The Sunday Times. Retrieved 30 September 2014.
Ø  "City of Anuradhapura". www.lanka.com. Retrieved 30 September 2014.
Ø  Professor T.G.Kulathunga (2004). "4". Lankave Stupaya (Stupa of Sri lanka) (in Sinhala) (first ed.). p. 66.
Ø  Pieris K (2006), Architecture and landscape in ancient and medieval Lanka
Ø  "National Engineering Technological Heritage Gallery ceremonially opened". The Sunday Times. Retrieved 30 September 2014.
Ø  http://www.archaeology.lk/ ,7.45 pm, 25.09.2014

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